A Stylistic Analysis of Visayan Contemporary Pop Songs

Abstract

This stylistic analysis of Visayan contemporary pop songs aims to understand how linguistic stylistic devices enhance the expressive quality of songs and contribute to deeper interpretation of their lyrics. Using the theoretical lens of foregrounding as proposed by Leech (2008), the research focuses on syntagmatic foregrounding (parallelism and repetition) and paradigmatic foregrounding (lexical deviation and code-switching) found in five award-winning Vispop songs from 2013 to 2017: Duyog, Labyu Langga, Bok Love, Imoha ra ang Akong Kasingkasing, and Kurog Ko. Through a qualitative descriptive analysis, the study reveals that linguistic stylistic devices such as anaphora, antithesis, neologisms, and affixation play a central role in conveying emotional intensity, shaping identity, and enriching interpretation. Syntagmatic foregrounding highlights emotional appeals and recurring themes, while paradigmatic foregrounding showcases linguistic creativity through hybrid Visayan-English-Tagalog expressions. These stylistic strategies contribute to multiple layers of meaning—extending interpretations from romantic to familial or even spiritual dimensions. Furthermore, the frequent use of code-switching and lexical innovations reflects the evolving sociolinguistic realities of Filipino youth. The study concludes that Visayan pop songs are not only musical expressions but also linguistic and cultural artifacts. Their stylistic features offer insight into contemporary discourse practices and affirm the role of popular music in representing hybrid Filipino identities.